Emilie Zanon & Franck Cassar

Emilie Zanon
Education
2004-2006 Study in Fashion Design at Ecole Nationale des Arts Visuels, Brussel

Works (Selection)
2002-2004 BTS stylisme at Ecole Supérieure des Arts Appliqués
Duperre, Paris
2006 „Les Chaises“, Scenografical and editorial work Ionesco, Brussel
2005 „Show La Cambre mode[s] “, Showing, Brussel
2004 Costume design for festival "Ramdam" in Nantes and „La Clé des Planches“, Theaterperformance, Roquencourt
2001 „Le portrait ou l’abstrait“, Installation, La Sorbonne, Paris

"Chairs"

A proposal for a scenographyaccording to the play of Ionesco "chairs"
I wanted to create true characters, to personify the chairs: mine, those
of the others, those which I find in the street... I "equip them" with small
things, accessoirs; I try to find to them an identity, a first name,
a life, an attitude...

Pieces from "verdigris"
a collection of clothing

"Verdigris" like what has aged, which was oxidized, which mildewed,
which is worn, the desease...a color passed, insipid, sad but also a
vibrating color, manufactured starting from a multitude of colors, acidulated.
My work oscillates between the old and the acidulous one, the grey and the multicolored.

Franck Cassar
Education
2005-2006: Master 2 pro Ingénierie de la Création et de la Réalisation sonore pour le film, la vidéo et le multimédia, Université de Provence, Département SATIS (Science Art et Technique de l’Image et du Son)
2002-2005: Diplôme d’ingénieur maître des métiers de l’image et du son,
Maîtrise des Métiers de l’Image et du Son, Section Son. Université de Provence Département SATIS (Science Art et Technique de l’Image et du Son) - www.up.univ-mrs.fr/satis

Works(Selection)
2005 „Spaghetti“, Sound and Composition of the short film by Michael Taupin„Mecanique relative“
„Le trottoir musical“ Interactive Sound Installation with Guing’art Virus, Aubagne
2004 Composition for „Le dernier supplice chinois“ documentation of Laurent
Maget for Centre National de la Recherche Scientifique
2003 „LA VIE DE RECHERCHE“ Composition, DVD of Laurent
Maget for Centre National de la Recherche Scientifique

Isirafu Interactive Sound Installation Reacting To Urban Flows, Isirtuf Three cameras film lieus of passages. Three television sets diffuse on line the collected images. On each television there are sensors (LDR) placed on the screen, the luminous variations generated by the movement of the passers by. Beside the television sets, one limps with music diffuses a music played by usual objects. The three values collected on the television sets directs limps it with music: one of the value orders the number of revolutions of limps with music, and the two other values modify the positions of each of the two microphones placed in limps with music. This installation had been made with Guingu’art virus ISIRAFU is one limps with interactive music of which the speed of play and sonorities are directed by urban flows. It transforms the various objects which are inside in sound objects... into musical objects.

Les oreilles du poisson rouge

This installation proposes a setting in abyme of the sound space of a red fish
into that of the spectator.

An aquarium is filled with water and it contains a red fish. This rectangular aquarium is installed in the middle of a rectangular room of the same proportion. Two microphones are installed at the ends, in water, inside the aquarium. Two speakers are installed in the room in the same way that the microphones are it in the aquarium. Each enclosure receives the signal of the micro correspondent. The spectator is invited to put his hand in the water to create currents, or only small movements. The movements of water are retranscribed by the speakers and the spectator finds himself in the sound space of the red fish. The spectator acts directly on his sound space. He hears all the movements which he gives to water and he thus puts in vibration the air of his space in the way in which he makes vibrate the water of the red fish.